SINCE the first Indian talkie songs are part of Hindi films.lyricists, music directors and singers from very past are successfully carrying forward the geet –sangeet tradition
With likes of shakil badayuni, hasrat jaypuri, shailendra, sahir, majrooh sultanpuri the lyrics section established. lyricists such as gulzar,indeewar,yogedh,anand bakshi,javed akhtar in their versatile content with richness and glamour forwarded it to a new breed of capable &delivering lyric writers.mehboob ,sameer,syed quadri,prasoon joshi,munna dhiman and many other signature identities are live exhibitors. Rich tradition of classic, beautiful, chalu, simple and situation oriented lyrics generated a demand of singers in the industry.
Hemant kumar, noorjahan, lata mangeshkar, mohd rafi, mukesh, kishore kumar, asha bhonsle and other significant singers of early phase found a space of recognition and respect for singing in Hindi cinema.
Kishore Kumar, manna dey, Suresh wadekar, yesudas and some well known veterans carried it forward. The veterans continued their their memorable contribution of variety and exhibition. spontaneous and breathing in voices of udit narayan,kumar sanu,sonu nigam, alka yagnik,sukhwidar, sunidhi chauhan,rahta fateh ali khan,shaan,himesh rehamiya ,shreya ghosal and many others.
With Music composition befitted lyric and singing.Naushad, madan mohan, shankar-jaikishan, roshan, op naiyyar, s.d Burman and many others furnished classic compositions. evergreen compositions.Laxmikant pyarelal.R.d burman,bappi lahiri,rajesh roshan,ram –laxman forwarded the tradition to A.R.rehman, pritam,himesh reshammiya,monty sharma,salim-suleiman,vishal-shekhar and others.
Indian idol, fame gurukul, star voice of India, zee saregamapa made singing a mass phenomena and Music an ever popular industry. Films with no songs are not seen commonly seen in bollywood.
MTV, v channel, b4u music, zee music and others are popular in TV world. It is seen film songs receive popularity first, film releases later. Recent trend suggest chart busters invite audiences to Cineplex. Network of F.M radio stations in no of cities expanded music world.
MUSIC IS IN THE AIR
Gunguna, gana why anyone would do that? But not anyone most of us somehow repeat the popular numbers. The music is in the air in fact. The numbers are running in channels, TV channels, home video, mp3/mp4, car stereo, mobile...Music is there. New releases, hit and popular regular and old numbers. Music binds, heals, cures, conditions, it up brings. Music not only entertains also has message, aesthetics. Magical way of telling, saying human relations. It delivers where normal common sense fails.
For me there is story, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In JANNAT zra SA dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth revising the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. The one sided is to be each sided soon.
RAB NE BANA DI JODI haule haule ho jayega pyar ... is a welcome advice, counseling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab NE has ruled the charts and still a choice. The chart buster hitting my running car stereo has some how advised. Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
Picturized on reel and real life duo, salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say 'you care'' in a special way, little light and crispy.gulzar's lyric in Beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The YUVVRAJ song is good approach to say a communicative concern in casual-light way.
BACHNA AE HASEENO hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each JANNATtop number lambi Judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as one cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya Jogi aaya re hire moti prem k sang anokhe laya re film BLACK&WHITE beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening Jogi post Judai is experiencing Milan
Tuning in to OM SHANTI OM tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...BHOOL BHULAIYA hit number picturized with akshay Kumar suggests resuming work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik YUVVRAJ tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense.
Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan KO Chu zra...it is self actualization now.
GHAJINI kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
Wednesday, February 25, 2009
Wednesday, February 11, 2009
letter to dev d maker
First things first; congrats for making dev D .DevDis certainly breakthrough in the public perception of devdas; the immortal character penned by great saratchandra.abhay lucky deol is not usual sunny or bobby .it is welcome to see you cast him as devdas.
Abhay's devdas is not dilip Saab not even shahrukh.new devdas is not memory down lane merely,however motivated on lines of earlier devdas.you have placed devdas in an era of communication exchange, techno savvy personifiacation.the 21st century devdas…tera emotional atyachar!oh oh devdas.devd is appreciable attempt to situation devdas near to in love-separated couples.devdas ka dukh communication k sahare!
DevD is not first instancing of your belief in perceiving things differently. You may have not tried to be your type only, however things are cornering there. it is not unfair to change perceptions but at times one may get overlooked.'paanch' for instance made after so much rigorous research and commitment can be said ended in bitter experience. Directorial venture which saw light of day; black Friday had had to face similar circumstances. The authority by which 1993 Mumbai blasts have been upheld, won the battle for debut…luckily .
The anurag kashyap we know is fighter, journey from u.p. town to bollywood tells it all. A break in 'satya' and rest is known and preferred name in film script writing. Post satya, shool, yuva, nayak, water and goal you r willing to switch direction only.
A cup full of ideas and your belief on their strengths is what makes abrand your type cinemagician.hope such ideas keep coming .a script writer basically, you have made a recognizable name in direction too. Black Friday, no smoking, hanuman returns and current DEVD is worth mentioning.
Mumbai shaped the way u r, as suketu Mehta has quoted, the maximum city. A favorite subject it is not sachin,slums and cinema only ,a city under threat.satya yuva and black Friday have had Mumbai.
Motivated on the lines of great satyajit ray's pather panchali, ended making paanch post the bicycle thief effect.
Most love the kashyap way of making films out of box; devD is not an exception. Post devD; devdas is not only an art house image.
Being media savvy it is projected that kashyap of anurag insist on on generating stories on paper headlines.sudhir mishra-hazaron kwahishen aisi fame says-he 's adventurous spirit and determination to do things differently make anurag stand out'.
The approach you adopt for a film is difficult to be categorized. Trend setting adventurous though is risky at times...DEV D is fresh though an extension to devdas continuity.
Yours dilnawaz
Abhay's devdas is not dilip Saab not even shahrukh.new devdas is not memory down lane merely,however motivated on lines of earlier devdas.you have placed devdas in an era of communication exchange, techno savvy personifiacation.the 21st century devdas…tera emotional atyachar!oh oh devdas.devd is appreciable attempt to situation devdas near to in love-separated couples.devdas ka dukh communication k sahare!
DevD is not first instancing of your belief in perceiving things differently. You may have not tried to be your type only, however things are cornering there. it is not unfair to change perceptions but at times one may get overlooked.'paanch' for instance made after so much rigorous research and commitment can be said ended in bitter experience. Directorial venture which saw light of day; black Friday had had to face similar circumstances. The authority by which 1993 Mumbai blasts have been upheld, won the battle for debut…luckily .
The anurag kashyap we know is fighter, journey from u.p. town to bollywood tells it all. A break in 'satya' and rest is known and preferred name in film script writing. Post satya, shool, yuva, nayak, water and goal you r willing to switch direction only.
A cup full of ideas and your belief on their strengths is what makes abrand your type cinemagician.hope such ideas keep coming .a script writer basically, you have made a recognizable name in direction too. Black Friday, no smoking, hanuman returns and current DEVD is worth mentioning.
Mumbai shaped the way u r, as suketu Mehta has quoted, the maximum city. A favorite subject it is not sachin,slums and cinema only ,a city under threat.satya yuva and black Friday have had Mumbai.
Motivated on the lines of great satyajit ray's pather panchali, ended making paanch post the bicycle thief effect.
Most love the kashyap way of making films out of box; devD is not an exception. Post devD; devdas is not only an art house image.
Being media savvy it is projected that kashyap of anurag insist on on generating stories on paper headlines.sudhir mishra-hazaron kwahishen aisi fame says-he 's adventurous spirit and determination to do things differently make anurag stand out'.
The approach you adopt for a film is difficult to be categorized. Trend setting adventurous though is risky at times...DEV D is fresh though an extension to devdas continuity.
Yours dilnawaz
Tuesday, February 3, 2009
partners in rhyme
Gunguna, gana why anyone would do that? But not anyone most of us somehow repeat the popular numbers. The music is in the air infact.the numbers are in running.fm channels, TV channels, home video, mp3/mp4, car stereo, mobile...Music is there. New releases, hit and popular regular and old numbers. Music binds, heals, cures, conditions, it upbrings.music not only entertains also has message, aesthetics.it has magical way of telling, saying human relations. It delivers where normal common sense fails.
For me there is astory, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In jannat's zra sa dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth listening the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. the one sided is to be each sided soon.
Rab ne bana di Jodi's haule haule ho jayega pyar ... is a welcome advice, counselling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab ne has ruled the charts and still a choice. The chartbuster hitting my running car stereo has some how adviced.Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
picturized on reel and real life duo,salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say''you care'' in a special way, little lite and cripsy.gulzar's lyric in beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The yuvvraj song is good approach to say a communicative concern in casual-lite way.
Bachna ae haseeno's hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each jannat's top number lambi judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya jogi aaya hire moti pyar k sang anokhe laya re film black&white beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening jogi post judai is experiencing Milan
tuning in to om shanti om's tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...bhool bhulaiya's hit number picturized with akshay kumar suggests to resume work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik yuvvraj's tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense. Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan ko chu zra...it is self actualization now.
Ghajini's kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
For me there is astory, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In jannat's zra sa dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth listening the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. the one sided is to be each sided soon.
Rab ne bana di Jodi's haule haule ho jayega pyar ... is a welcome advice, counselling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab ne has ruled the charts and still a choice. The chartbuster hitting my running car stereo has some how adviced.Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
picturized on reel and real life duo,salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say''you care'' in a special way, little lite and cripsy.gulzar's lyric in beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The yuvvraj song is good approach to say a communicative concern in casual-lite way.
Bachna ae haseeno's hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each jannat's top number lambi judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya jogi aaya hire moti pyar k sang anokhe laya re film black&white beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening jogi post judai is experiencing Milan
tuning in to om shanti om's tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...bhool bhulaiya's hit number picturized with akshay kumar suggests to resume work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik yuvvraj's tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense. Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan ko chu zra...it is self actualization now.
Ghajini's kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
Tuesday, January 20, 2009
jodi HIT hai
DIL MAANGE MORE
AAMIR KHAN-PRASOON JOSHI
COKE ADS
RANG DE BASANTI
FANA
TARE ZAMEEN PAR
GHAJINI
AAMIR-A.R. REHMAN
LAGAAN
RANG DE BASANTI
JANE TU YA JANE NA
GHAJINI
A.R.REHMAN-GULZAR
DILSE
YUVA
GURU
YUVVRAJ
SLUMDOG MILLIONAIRE
A.R.REHMAN-MANI RATNAM
ROJA
DIL SE
BOMBAY
SAPNAY
YUVA
GURU
AKSHAY KUMAR-ANEES BAZMEE
WELCOME
SINGH IS KING
AKSHAY-PRIYADARSHAN
HERA PHERI
PHIR HERA PHERI
GARAM MASALA
BHOOL BHULAIYA
BHAGAM BHAG
AKSHAY-VIPUL SHAH
AANKHEN
WAQT
NAMASTEY LONDON
SINGH IS KING
ABHAY DEOL-DIBAKAR BANERJEE
KHOSLA KA GHOSLA
OYE LUCKY OYE
RAJKUMAR HIRANI-SANJAY DUTT
MUNNABHAI MBBS
LAGEY RAHO MUNNABHAI
RAJKUMAR HIRANI-ARSHAD VARSHI
MUNNABHAI MBBS
LAGEY RAHO MUNNABHAI
SHAHRUKH KHAN-YAHRAJ
DEEWANA
DDLJ
DIL TO PAGAL HAI
MOHABBATEIN
RAB NE BANA DI JODI
SHAHRUKH-SUKHWINDER
DILSE
CHAK DE INDIA
OM SHANTI OM
RAB NE BAN DI JODI
SHAHRUKH-KARAN JOHAR
KUCH KUCH HOTA HAI
KABHI KHUSI KABHI GHUM
MY NAME IS KHAN
SHAHRUKH-KAJOL
BAAZIGAR
DDLJ
KUCH KUCH HOTA HAI
KABHI KHUSI KABHI GHUM
MY NAME IS KHAN.
AAMIR KHAN-PRASOON JOSHI
COKE ADS
RANG DE BASANTI
FANA
TARE ZAMEEN PAR
GHAJINI
AAMIR-A.R. REHMAN
LAGAAN
RANG DE BASANTI
JANE TU YA JANE NA
GHAJINI
A.R.REHMAN-GULZAR
DILSE
YUVA
GURU
YUVVRAJ
SLUMDOG MILLIONAIRE
A.R.REHMAN-MANI RATNAM
ROJA
DIL SE
BOMBAY
SAPNAY
YUVA
GURU
AKSHAY KUMAR-ANEES BAZMEE
WELCOME
SINGH IS KING
AKSHAY-PRIYADARSHAN
HERA PHERI
PHIR HERA PHERI
GARAM MASALA
BHOOL BHULAIYA
BHAGAM BHAG
AKSHAY-VIPUL SHAH
AANKHEN
WAQT
NAMASTEY LONDON
SINGH IS KING
ABHAY DEOL-DIBAKAR BANERJEE
KHOSLA KA GHOSLA
OYE LUCKY OYE
RAJKUMAR HIRANI-SANJAY DUTT
MUNNABHAI MBBS
LAGEY RAHO MUNNABHAI
RAJKUMAR HIRANI-ARSHAD VARSHI
MUNNABHAI MBBS
LAGEY RAHO MUNNABHAI
SHAHRUKH KHAN-YAHRAJ
DEEWANA
DDLJ
DIL TO PAGAL HAI
MOHABBATEIN
RAB NE BANA DI JODI
SHAHRUKH-SUKHWINDER
DILSE
CHAK DE INDIA
OM SHANTI OM
RAB NE BAN DI JODI
SHAHRUKH-KARAN JOHAR
KUCH KUCH HOTA HAI
KABHI KHUSI KABHI GHUM
MY NAME IS KHAN
SHAHRUKH-KAJOL
BAAZIGAR
DDLJ
KUCH KUCH HOTA HAI
KABHI KHUSI KABHI GHUM
MY NAME IS KHAN.
Sunday, January 18, 2009
Ek aur Ek Gyarah
SOME OF HOT CHARACTERS SEEN ONBOLLYWOOD BIG SCREEN
AMAR KAUL: vinay pathak's AMAR lives with his mother,at thirty six years of age tries aspire
some amount of his mundane and run out of mill life.his existence was non existent to people around him.his innocence and his obession for making his daily life worthy is what makes him look forward.then one day suddenly he finds that he will die within three months from there begins the journey to work on his final to do list.DASVIDANIA 'S vinay is effortive.
BHARAT BHUSAN: vinay pathak's IDIOT in BHEJA FRY was not just silly man being made fun of but the face of aspiring india who is proud of his talent,pompous,confident,totally unconscious.it was vinay 's incredible detailing in his character that took BHARAT BHUSAN to even greater heights.the indomitable eagerness to help made bharat bhusan one of most quoted characters in recent history.
BHAVANI SHANKAR:utpal dutt's SIR in his hrishikesh mukherjee's GOLMAAL has got to be the funniest characters that have appeared.the man ,the mooch,the madness,the hard straight stare can still send people rolling to the floor laughing.mukherjee and dutt tried to reprise bahvani in NARAM GARAMandRANG BIRANGI but golmaal proved black pearl.
BHIKU MATRE:mumbai ka king kaun? many wiould claim,but when manoj bajpai's BHIKUannounced his arrival to wrld via arabian sea you gave it to him.however chakraborty played the SATYA ,but it was bhiku who ruled the underworld.Ram gopal verma's great BHIKU.
CIRCUIT: the sul of MUNNABHAI films ARSHAD VARSHI's CIRCUIT is so much more tahn just afunny sidekick to sanjay dutt's munna.a yes man to his underworld bhai,circuit can do just about anything to keep munna happy.from smuggling item girls to hospitals to kidnapping gandhian professors.but his inherent innocence that shines through every act and makes him most loveable characters in last decade.
GABBAR:Amitabh bachchan mixed everything from mel gibson's mad max to anthony hopkins hannibal lecter to jack nicholson's joker but his gabban was not a patch on GABBAR.because to gabbar,AMJAD KHAN helped by superb script by salim-javed had brought a raw vitality and lethal body language not seen on screen before.the SHOLAY character an epitome of evil.
GEET: Kareena kapoor's GEET in JAB WE MET is a talking genius.you wuldn't like to put cotton balls in your ears when geet starts talking.just like BASANTI she can talk abit too much but you wouldn't mind listening to her.more thn fun and games kareena's geet in imtiaz ali film was personification of life itself arare sight in plastic pretentious writing that is bollywood.
LANGDA TYAGI: when it comes to to plating othello'sIAGO saif ali is right up there.when it comes to to this character being reinterpreted LANGDA is right there.empowered by vishal bhardwaj adaption,saif was able to take iago out of bard's book and give birth to all new character in langda tyagi in a reptilian performance.saif in OMKARA is almost modern day gabbar.
MOGAMBO: when steven speilbeg saw amrish puri's mouth "mogambo khush hua" he might have understood the language,but he knew he just had to cast the man,mola ram in idiana jones and the temple of doom was very close to mogambo persona .but even speilberg cuolds not create waht shekhar kapur did in mr india.the characterization ,the outlandish styling and the killer smile delieverd a lethal celluloid effect.
SANJAY SINGHANIA: from amobile company enterpreneur to a short term memory loss patient SANJAY of ghajini has shades of change and the effect on man.the shades of larger than life to closer to life sanjay singhania.aamir khan's sanjay takes the revenge of from the barbaric ghajini dharmatma,the villain inspite of being a patient.he his able to put an end to ghajini's barbaric and lethal world.
VIJAY:The original 6'2" anger academy the salim javed penned and amitabh bachchan enacted the vijay persona not only set the cash registers ringing but also introduced boollyaood to many countries and symbolized it.the anti establishment hero in vijay gave the comman man a reson to celebrate.from zanzeer to deewar to kala patthar to trishul,from shakti to agnipath the cause and backdrop might have different but it was the same vijay standing right,very tall,very angry.
AMAR KAUL: vinay pathak's AMAR lives with his mother,at thirty six years of age tries aspire
some amount of his mundane and run out of mill life.his existence was non existent to people around him.his innocence and his obession for making his daily life worthy is what makes him look forward.then one day suddenly he finds that he will die within three months from there begins the journey to work on his final to do list.DASVIDANIA 'S vinay is effortive.
BHARAT BHUSAN: vinay pathak's IDIOT in BHEJA FRY was not just silly man being made fun of but the face of aspiring india who is proud of his talent,pompous,confident,totally unconscious.it was vinay 's incredible detailing in his character that took BHARAT BHUSAN to even greater heights.the indomitable eagerness to help made bharat bhusan one of most quoted characters in recent history.
BHAVANI SHANKAR:utpal dutt's SIR in his hrishikesh mukherjee's GOLMAAL has got to be the funniest characters that have appeared.the man ,the mooch,the madness,the hard straight stare can still send people rolling to the floor laughing.mukherjee and dutt tried to reprise bahvani in NARAM GARAMandRANG BIRANGI but golmaal proved black pearl.
BHIKU MATRE:mumbai ka king kaun? many wiould claim,but when manoj bajpai's BHIKUannounced his arrival to wrld via arabian sea you gave it to him.however chakraborty played the SATYA ,but it was bhiku who ruled the underworld.Ram gopal verma's great BHIKU.
CIRCUIT: the sul of MUNNABHAI films ARSHAD VARSHI's CIRCUIT is so much more tahn just afunny sidekick to sanjay dutt's munna.a yes man to his underworld bhai,circuit can do just about anything to keep munna happy.from smuggling item girls to hospitals to kidnapping gandhian professors.but his inherent innocence that shines through every act and makes him most loveable characters in last decade.
GABBAR:Amitabh bachchan mixed everything from mel gibson's mad max to anthony hopkins hannibal lecter to jack nicholson's joker but his gabban was not a patch on GABBAR.because to gabbar,AMJAD KHAN helped by superb script by salim-javed had brought a raw vitality and lethal body language not seen on screen before.the SHOLAY character an epitome of evil.
GEET: Kareena kapoor's GEET in JAB WE MET is a talking genius.you wuldn't like to put cotton balls in your ears when geet starts talking.just like BASANTI she can talk abit too much but you wouldn't mind listening to her.more thn fun and games kareena's geet in imtiaz ali film was personification of life itself arare sight in plastic pretentious writing that is bollywood.
LANGDA TYAGI: when it comes to to plating othello'sIAGO saif ali is right up there.when it comes to to this character being reinterpreted LANGDA is right there.empowered by vishal bhardwaj adaption,saif was able to take iago out of bard's book and give birth to all new character in langda tyagi in a reptilian performance.saif in OMKARA is almost modern day gabbar.
MOGAMBO: when steven speilbeg saw amrish puri's mouth "mogambo khush hua" he might have understood the language,but he knew he just had to cast the man,mola ram in idiana jones and the temple of doom was very close to mogambo persona .but even speilberg cuolds not create waht shekhar kapur did in mr india.the characterization ,the outlandish styling and the killer smile delieverd a lethal celluloid effect.
SANJAY SINGHANIA: from amobile company enterpreneur to a short term memory loss patient SANJAY of ghajini has shades of change and the effect on man.the shades of larger than life to closer to life sanjay singhania.aamir khan's sanjay takes the revenge of from the barbaric ghajini dharmatma,the villain inspite of being a patient.he his able to put an end to ghajini's barbaric and lethal world.
VIJAY:The original 6'2" anger academy the salim javed penned and amitabh bachchan enacted the vijay persona not only set the cash registers ringing but also introduced boollyaood to many countries and symbolized it.the anti establishment hero in vijay gave the comman man a reson to celebrate.from zanzeer to deewar to kala patthar to trishul,from shakti to agnipath the cause and backdrop might have different but it was the same vijay standing right,very tall,very angry.
Thursday, January 15, 2009
Bollywood 2009
LOOK OUT FOR THESE FILMS
CHANDNI CHOWK TO CHINA
DIRECTOR : NIKHIL ADVANI
CAST: AKSHAY KUMAR DEEPIKA PADUKONE RANVIR SHOREY
USP: A delhi cook becomes an action hero in china
WHY: Akshay and Deepika are hot at box office.
DELHI 6
DIRECTOR: RAKYESH MEHRA
CAST:ABHISHEK BACHCHAN SONAM KAPOOR WAHIDAREHMAN
USP:The lives of a group in a delhi neighbourhood
WHY:The rang de basanti man returns with sanwariya beauty.
SLUMDOG MILLIONAIRE
DIRECTOR:DANNY BOYLE
CAST: DEV PATEL FREIDO PINTO IRRFAN KHAN
USP:GOLDEN GLOBE AWARDS
STORY: A dhravi boy wins jackpot on a game show to find love and stardom
WHY:Rave reviews
KITES
DIRECTOR:ANURAG BASU
CAST: HRITHIK ROSHAN BARBRA MORI KANGANARANAUT
USP:Two people who don't speak acopmman language fall in love.
WHY: Hrithik roshan home production with anurag basu.
3 IDIOTS
DIRECTOR: RAJKUMAR HIRANI
CAST: AAMIR KHAN KARINA KAPOOR MADHVAN SHARMAN JOSHI
USP: A loose adaption of chetan bahgat's bestseller.
WHY:Munnabahi maker teaming with aamir and karina.
MY NAME IS KHAN
DIRECTOR:KARAN JOHAR
CAST:SHAHRUKH KHAN KAJOL
USP:The trobles of an austic musicman post 9/11 America
WHY:Karan johar shahrukh and kajol together.
LONDON DREAMS
DIRECTOR:VIPUL SHAH
CAST: SALMAN KHAN ASIN AJAY DEVGAN
USP:The namstey london maker teams up with humdi de chuke men and ghajini lady.
WHY: A love triangle lavishly mounted that runs across countries.
BILLU BARBER
DIRECTOR:PRIYADARSHAN
CAST: SHAHRUKH KHAN IRRFAN KHAN KARINA.
USP:A Contemporray take on krishna-sudama friendship.
WHY:Shahrukh khan irrfan khan.
Wednesday, January 14, 2009
Music star films
taal-a film by subhash ghai
Manav –mansi
Akshaye Khanna plays Manav Mehta, a UK-based rich businessman, who falls in love with Mansi (Aishwarya Rai), daughter of a poor singer, on a visit to picturesque Chamba in Northern India. Wary of the vast gulf between their two families, Mansi initially resists Manav's overtures but is eventually drawn to him.
Humiliation for tarababu
However, Manav has to leave Chamba for Mumbai but promises Mansi that he will convince his family to accept their relationship. But that's easier said than done. When Mansi and her father Tara Babu (Alok Nath) visit Manav's house in Mumbai, they are humiliated and thrown out.
vikrant turned mansi starAs the dejected girl and her father ponder their next moves, they run into a cocky talent manager and musician Vikrant Kapoor (Anil Kapoor)
Vikrant turns Mansi into a mega star and in the process also falls in love with her and wants to marry her.
manav waited for mansiAs usual, Aishwarya Rai looks ethereal while Akshaye Khanna, throwns in a sensitive performance as the young lover patiently waiting for the happy day when Mansi and he will be united.
Anil Kapoor is fine as the brash musician and talent manager. While not out of this world, A.R.Rahman's music is pleasing. favorites songs were Ishq Bina, Taal Se Taal and Rafta Jogi.Fine photography and Aishwarya's dancing add to the overall pleasure that Taal provides in abundant measure.
Abhimaan- amitabh ji jaya bhaduri
Enduring Bollywood romantic drama starring Amitabh Bachchan and Jaya Bhaduri. A celebrated pop singer falls in love with a simple village girl, but when her musical career eclipses his own, he is overcome with bitterness and resentment
Anurodh - afilm by shakti samanta
This is a great musical movie from the Shakti Samanta - Rajesh Khanna camp which has excellent music by Laxmikant Pyarelal. The characters are very strong- Ashok Kumar, Vinod Mehra, Nirupa Roy put in a good performance. The movie is a remake of a Bengali movie but retains its originality. Rajesh Khanna as usual puts up a great performance and is good in comedy, romance and drama. He shows the class of being a Super Star in the movie. This runaway hit has also good story, excellent editing and good direction. It is a must see and the songs of Kishore Kumar in the movie are excellent, it seems that Rajesh Khanna is singing them. How they suit each other.
Yarana Amitabh amjad khan
The movie is based on two childhood friends, who mean a lot to one another, one loves to sing and the other works on the ship.Amjad bhai would love his friend to come to the city to make a name for himself, who has to be pursuaded in coming as his friend gets real angry and to cool him down, is the song, Bhole oh bhole tu rootha jaag shuta sung by the late Kishore Da.
When he is pursuaded and brought to town he has to be changed from a villager to a city type and here he meets Neetu Singh a town girl.He becomes a top singer, then as usual the villain steps in making problems for his friend and how they face them.Yes this is one movie again you can alway’s sit and watch with your family, like all recent movies of Amitabh ji.
It’s nice to know after a long time we are getting family oriented movies and no rubbish like a few one of them being Bachke rehna re it warns the viewers with the title itself.Songs are real super ones especially the title song of the movie and chukar mere mann ko.
Manav –mansi
Akshaye Khanna plays Manav Mehta, a UK-based rich businessman, who falls in love with Mansi (Aishwarya Rai), daughter of a poor singer, on a visit to picturesque Chamba in Northern India. Wary of the vast gulf between their two families, Mansi initially resists Manav's overtures but is eventually drawn to him.
Humiliation for tarababu
However, Manav has to leave Chamba for Mumbai but promises Mansi that he will convince his family to accept their relationship. But that's easier said than done. When Mansi and her father Tara Babu (Alok Nath) visit Manav's house in Mumbai, they are humiliated and thrown out.
vikrant turned mansi starAs the dejected girl and her father ponder their next moves, they run into a cocky talent manager and musician Vikrant Kapoor (Anil Kapoor)
Vikrant turns Mansi into a mega star and in the process also falls in love with her and wants to marry her.
manav waited for mansiAs usual, Aishwarya Rai looks ethereal while Akshaye Khanna, throwns in a sensitive performance as the young lover patiently waiting for the happy day when Mansi and he will be united.
Anil Kapoor is fine as the brash musician and talent manager. While not out of this world, A.R.Rahman's music is pleasing. favorites songs were Ishq Bina, Taal Se Taal and Rafta Jogi.Fine photography and Aishwarya's dancing add to the overall pleasure that Taal provides in abundant measure.
Abhimaan- amitabh ji jaya bhaduri
Enduring Bollywood romantic drama starring Amitabh Bachchan and Jaya Bhaduri. A celebrated pop singer falls in love with a simple village girl, but when her musical career eclipses his own, he is overcome with bitterness and resentment
Anurodh - afilm by shakti samanta
This is a great musical movie from the Shakti Samanta - Rajesh Khanna camp which has excellent music by Laxmikant Pyarelal. The characters are very strong- Ashok Kumar, Vinod Mehra, Nirupa Roy put in a good performance. The movie is a remake of a Bengali movie but retains its originality. Rajesh Khanna as usual puts up a great performance and is good in comedy, romance and drama. He shows the class of being a Super Star in the movie. This runaway hit has also good story, excellent editing and good direction. It is a must see and the songs of Kishore Kumar in the movie are excellent, it seems that Rajesh Khanna is singing them. How they suit each other.
Yarana Amitabh amjad khan
The movie is based on two childhood friends, who mean a lot to one another, one loves to sing and the other works on the ship.Amjad bhai would love his friend to come to the city to make a name for himself, who has to be pursuaded in coming as his friend gets real angry and to cool him down, is the song, Bhole oh bhole tu rootha jaag shuta sung by the late Kishore Da.
When he is pursuaded and brought to town he has to be changed from a villager to a city type and here he meets Neetu Singh a town girl.He becomes a top singer, then as usual the villain steps in making problems for his friend and how they face them.Yes this is one movie again you can alway’s sit and watch with your family, like all recent movies of Amitabh ji.
It’s nice to know after a long time we are getting family oriented movies and no rubbish like a few one of them being Bachke rehna re it warns the viewers with the title itself.Songs are real super ones especially the title song of the movie and chukar mere mann ko.
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