Ek aur Ek Gyarah

SOME OF HOT CHARACTERS SEEN ONBOLLYWOOD BIG SCREEN
AMAR KAUL: vinay pathak's AMAR lives with his mother,at thirty six years of age tries aspire
some amount of his mundane and run out of mill life.his existence was non existent to people around him.his innocence and his obession for making his daily life worthy is what makes him look forward.then one day suddenly he finds that he will die within three months from there begins the journey to work on his final to do list.DASVIDANIA 'S vinay is effortive.

BHARAT BHUSAN: vinay pathak's IDIOT in BHEJA FRY was not just silly man being made fun of but the face of aspiring india who is proud of his talent,pompous,confident,totally unconscious.it was vinay 's incredible detailing in his character that took BHARAT BHUSAN to even greater heights.the indomitable eagerness to help made bharat bhusan one of most quoted characters in recent history.

BHAVANI SHANKAR:utpal dutt's SIR in his hrishikesh mukherjee's GOLMAAL has got to be the funniest characters that have appeared.the man ,the mooch,the madness,the hard straight stare can still send people rolling to the floor laughing.mukherjee and dutt tried to reprise bahvani in NARAM GARAMandRANG BIRANGI but golmaal proved black pearl.

BHIKU MATRE:mumbai ka king kaun? many wiould claim,but when manoj bajpai's BHIKUannounced his arrival to wrld via arabian sea you gave it to him.however chakraborty played the SATYA ,but it was bhiku who ruled the underworld.Ram gopal verma's great BHIKU.

CIRCUIT: the sul of MUNNABHAI films ARSHAD VARSHI's CIRCUIT is so much more tahn just afunny sidekick to sanjay dutt's munna.a yes man to his underworld bhai,circuit can do just about anything to keep munna happy.from smuggling item girls to hospitals to kidnapping gandhian professors.but his inherent innocence that shines through every act and makes him most loveable characters in last decade.

GABBAR:Amitabh bachchan mixed everything from mel gibson's mad max to anthony hopkins hannibal lecter to jack nicholson's joker but his gabban was not a patch on GABBAR.because to gabbar,AMJAD KHAN helped by superb script by salim-javed had brought a raw vitality and lethal body language not seen on screen before.the SHOLAY character an epitome of evil.

GEET: Kareena kapoor's GEET in JAB WE MET is a talking genius.you wuldn't like to put cotton balls in your ears when geet starts talking.just like BASANTI she can talk abit too much but you wouldn't mind listening to her.more thn fun and games kareena's geet in imtiaz ali film was personification of life itself arare sight in plastic pretentious writing that is bollywood.

LANGDA TYAGI: when it comes to to plating othello'sIAGO saif ali is right up there.when it comes to to this character being reinterpreted LANGDA is right there.empowered by vishal bhardwaj adaption,saif was able to take iago out of bard's book and give birth to all new character in langda tyagi in a reptilian performance.saif in OMKARA is almost modern day gabbar.

MOGAMBO: when steven speilbeg saw amrish puri's mouth "mogambo khush hua" he might have understood the language,but he knew he just had to cast the man,mola ram in idiana jones and the temple of doom was very close to mogambo persona .but even speilberg cuolds not create waht shekhar kapur did in mr india.the characterization ,the outlandish styling and the killer smile delieverd a lethal celluloid effect.

SANJAY SINGHANIA: from amobile company enterpreneur to a short term memory loss patient SANJAY of ghajini has shades of change and the effect on man.the shades of larger than life to closer to life sanjay singhania.aamir khan's sanjay takes the revenge of from the barbaric ghajini dharmatma,the villain inspite of being a patient.he his able to put an end to ghajini's barbaric and lethal world.

VIJAY:The original 6'2" anger academy the salim javed penned and amitabh bachchan enacted the vijay persona not only set the cash registers ringing but also introduced boollyaood to many countries and symbolized it.the anti establishment hero in vijay gave the comman man a reson to celebrate.from zanzeer to deewar to kala patthar to trishul,from shakti to agnipath the cause and backdrop might have different but it was the same vijay standing right,very tall,very angry.