QUALITY MGMT FOR BHOJPURI CINEMA
How a film does succeed? What are the ingredients of success? What makes film almost success and success? What are sure shot success formulae?
It is important to raise questions. Equally vital is to get appropriate answers. Queries to sure shot success ingredients are the concern of film industry. Hollywood, bollywood and other film business enterprises are in continuous endeavor for success. Bhojpuri cinema is no different in such research, leadership positioning and evaluation.
Budget of Bhojpuri films over the years have considerably increased. it has crossed crore from lakhs at a time. made ar the cost of 20-25 lakhs earlier, is now 1.2 crore.business wise the box-office collections have crossed crores.the estimated cost and revenue generated can be said at times run in parrellel.recent past performance makes it clear to some extent.
Bhojpuri cinema is switching gears to mainstream cinema. One time regional cinema is now a national and global phenomena.local; regional, national and foreign audiences have earned Bhojpuri cinema a popular name. One of the reasons why superstars such as Amitabh bachchan and shatrughan sinha opted for Bhojpuri films. With likes of mithun chakraborty, Ravi kishen, manoj tiwari, nagma, raja muard, sadashiv amrapurkar and many more familiar faces of mainstream, Bhojpuri reach and market is evident.
Bhojpuri films entertain big market share in the Indian film business market. Market is evident in north India, the Bhojpuri speaking belt. Over the years it has touched Delhi and Maharashtra. Bihar, Uttar pradesh,, delhi,punjab,westbengal and some parts of Nepal can be called as centers of Bhojpuri language and films consequently.
SUPERSTARS-Similar to Hollywood and bollywood Bhojpuri cinema has superstars. they are aamir and shahrukh khan of industry.manoj tiwari mridul,ravi kishen,dinesh lal yadav,sudesh pandey are well known faces.sudesh pandey is on the lines of kunal , ravi kishen and manoj tiwari.nagma,pinki ghosh,monaliza,shewta tiwari are popular actress.
Superstar of bhojpuri cinema manoj tiwari is contesting elections.people, cinema, stars, and elections.
People, cinema, stars, elections.case of manoj tiawri is a make believe incident of bhojpuri phenomena.
Foreign locations foreign Cineplex and foreign audiences have added glamour.NRI'S love bhojpuri.manoj tiwari and Ravi kishen anchoring popular TV reality shows. They are active part of TV world.
No doubt Bhojpuri films have a great market. A distributed market share touching foreign interiors. Budget is over crore now. Industry has familiar and popular faces. Stars are now a political entity.
.plus a 24 hour Bhojpuri channel is also running. Big questions-is it enough? Is it time of celebration of achievement for Bhojpuri films? If YES Bhojpuria in exact sense should also feel the same?
Bhojpuri films and their actors are familiar names. Some are being looked upon as superstars. present situation suggest there is still space for vital revival and up gradation.
Engulfed in the bollywood hangover, Bhojpuri films have become surrogate by-products.Bolywood is certainly is ideal but Bhojpuri cinema must retain its identity. The identity of content and presentation. Journey from a east city-metros London is welcome approach, however a total hangover should never be entertained. Content wise cabaret has replaced old. Modern dance item numbers are seen here. With themes, designer dresses and foreign locations. There is lot like bollywood.
Struggle is still the end product. Bhojpuri cinema is struggling there is visible evidence of struggle in Quality management.
Yr2008 saw 42 films. Only five made at box-office.2004 can be seen as the most productive year with 10 hits in total of 20.The year paved the way for new entrants. Films in 2005 was thrice the previous. it touched total of 65,however no of hits didn't increased. Within a year the success rate declined from 50 percent to merely 16 percent. Over century of Bhojpuri films released in 2006.a total of 115 films. Only 12 made at box-office. A staggering decline in the cost and revenue generated.2007 was similarly dismal with only 7 hits in total of 72.the figure clearly point a need of quality management.
The successful Bhojpuri films provoked the idea of more films; however hit films are what Bhojpuri cinema is looking for. Bulk of average ands dismal performance is no appreciable. Proper planning and content selection is needed
Quality is not directly proportional to quantity in Bhojpuri as well as bollywood.
Cinema is not always for quantity. It should be focused on quantity. Life of cinema is on continuous search and endeavor for new ideas. Ever experimenting and assuring for success critically as well as business wise.
Wednesday, February 25, 2009
Geet sangeet has pyar
SINCE the first Indian talkie songs are part of Hindi films.lyricists, music directors and singers from very past are successfully carrying forward the geet –sangeet tradition
With likes of shakil badayuni, hasrat jaypuri, shailendra, sahir, majrooh sultanpuri the lyrics section established. lyricists such as gulzar,indeewar,yogedh,anand bakshi,javed akhtar in their versatile content with richness and glamour forwarded it to a new breed of capable &delivering lyric writers.mehboob ,sameer,syed quadri,prasoon joshi,munna dhiman and many other signature identities are live exhibitors. Rich tradition of classic, beautiful, chalu, simple and situation oriented lyrics generated a demand of singers in the industry.
Hemant kumar, noorjahan, lata mangeshkar, mohd rafi, mukesh, kishore kumar, asha bhonsle and other significant singers of early phase found a space of recognition and respect for singing in Hindi cinema.
Kishore Kumar, manna dey, Suresh wadekar, yesudas and some well known veterans carried it forward. The veterans continued their their memorable contribution of variety and exhibition. spontaneous and breathing in voices of udit narayan,kumar sanu,sonu nigam, alka yagnik,sukhwidar, sunidhi chauhan,rahta fateh ali khan,shaan,himesh rehamiya ,shreya ghosal and many others.
With Music composition befitted lyric and singing.Naushad, madan mohan, shankar-jaikishan, roshan, op naiyyar, s.d Burman and many others furnished classic compositions. evergreen compositions.Laxmikant pyarelal.R.d burman,bappi lahiri,rajesh roshan,ram –laxman forwarded the tradition to A.R.rehman, pritam,himesh reshammiya,monty sharma,salim-suleiman,vishal-shekhar and others.
Indian idol, fame gurukul, star voice of India, zee saregamapa made singing a mass phenomena and Music an ever popular industry. Films with no songs are not seen commonly seen in bollywood.
MTV, v channel, b4u music, zee music and others are popular in TV world. It is seen film songs receive popularity first, film releases later. Recent trend suggest chart busters invite audiences to Cineplex. Network of F.M radio stations in no of cities expanded music world.
MUSIC IS IN THE AIR
Gunguna, gana why anyone would do that? But not anyone most of us somehow repeat the popular numbers. The music is in the air in fact. The numbers are running in channels, TV channels, home video, mp3/mp4, car stereo, mobile...Music is there. New releases, hit and popular regular and old numbers. Music binds, heals, cures, conditions, it up brings. Music not only entertains also has message, aesthetics. Magical way of telling, saying human relations. It delivers where normal common sense fails.
For me there is story, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In JANNAT zra SA dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth revising the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. The one sided is to be each sided soon.
RAB NE BANA DI JODI haule haule ho jayega pyar ... is a welcome advice, counseling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab NE has ruled the charts and still a choice. The chart buster hitting my running car stereo has some how advised. Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
Picturized on reel and real life duo, salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say 'you care'' in a special way, little light and crispy.gulzar's lyric in Beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The YUVVRAJ song is good approach to say a communicative concern in casual-light way.
BACHNA AE HASEENO hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each JANNATtop number lambi Judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as one cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya Jogi aaya re hire moti prem k sang anokhe laya re film BLACK&WHITE beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening Jogi post Judai is experiencing Milan
Tuning in to OM SHANTI OM tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...BHOOL BHULAIYA hit number picturized with akshay Kumar suggests resuming work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik YUVVRAJ tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense.
Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan KO Chu zra...it is self actualization now.
GHAJINI kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
With likes of shakil badayuni, hasrat jaypuri, shailendra, sahir, majrooh sultanpuri the lyrics section established. lyricists such as gulzar,indeewar,yogedh,anand bakshi,javed akhtar in their versatile content with richness and glamour forwarded it to a new breed of capable &delivering lyric writers.mehboob ,sameer,syed quadri,prasoon joshi,munna dhiman and many other signature identities are live exhibitors. Rich tradition of classic, beautiful, chalu, simple and situation oriented lyrics generated a demand of singers in the industry.
Hemant kumar, noorjahan, lata mangeshkar, mohd rafi, mukesh, kishore kumar, asha bhonsle and other significant singers of early phase found a space of recognition and respect for singing in Hindi cinema.
Kishore Kumar, manna dey, Suresh wadekar, yesudas and some well known veterans carried it forward. The veterans continued their their memorable contribution of variety and exhibition. spontaneous and breathing in voices of udit narayan,kumar sanu,sonu nigam, alka yagnik,sukhwidar, sunidhi chauhan,rahta fateh ali khan,shaan,himesh rehamiya ,shreya ghosal and many others.
With Music composition befitted lyric and singing.Naushad, madan mohan, shankar-jaikishan, roshan, op naiyyar, s.d Burman and many others furnished classic compositions. evergreen compositions.Laxmikant pyarelal.R.d burman,bappi lahiri,rajesh roshan,ram –laxman forwarded the tradition to A.R.rehman, pritam,himesh reshammiya,monty sharma,salim-suleiman,vishal-shekhar and others.
Indian idol, fame gurukul, star voice of India, zee saregamapa made singing a mass phenomena and Music an ever popular industry. Films with no songs are not seen commonly seen in bollywood.
MTV, v channel, b4u music, zee music and others are popular in TV world. It is seen film songs receive popularity first, film releases later. Recent trend suggest chart busters invite audiences to Cineplex. Network of F.M radio stations in no of cities expanded music world.
MUSIC IS IN THE AIR
Gunguna, gana why anyone would do that? But not anyone most of us somehow repeat the popular numbers. The music is in the air in fact. The numbers are running in channels, TV channels, home video, mp3/mp4, car stereo, mobile...Music is there. New releases, hit and popular regular and old numbers. Music binds, heals, cures, conditions, it up brings. Music not only entertains also has message, aesthetics. Magical way of telling, saying human relations. It delivers where normal common sense fails.
For me there is story, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In JANNAT zra SA dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth revising the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. The one sided is to be each sided soon.
RAB NE BANA DI JODI haule haule ho jayega pyar ... is a welcome advice, counseling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab NE has ruled the charts and still a choice. The chart buster hitting my running car stereo has some how advised. Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
Picturized on reel and real life duo, salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say 'you care'' in a special way, little light and crispy.gulzar's lyric in Beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The YUVVRAJ song is good approach to say a communicative concern in casual-light way.
BACHNA AE HASEENO hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each JANNATtop number lambi Judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as one cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya Jogi aaya re hire moti prem k sang anokhe laya re film BLACK&WHITE beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening Jogi post Judai is experiencing Milan
Tuning in to OM SHANTI OM tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...BHOOL BHULAIYA hit number picturized with akshay Kumar suggests resuming work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik YUVVRAJ tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense.
Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan KO Chu zra...it is self actualization now.
GHAJINI kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
Wednesday, February 11, 2009
letter to dev d maker
First things first; congrats for making dev D .DevDis certainly breakthrough in the public perception of devdas; the immortal character penned by great saratchandra.abhay lucky deol is not usual sunny or bobby .it is welcome to see you cast him as devdas.
Abhay's devdas is not dilip Saab not even shahrukh.new devdas is not memory down lane merely,however motivated on lines of earlier devdas.you have placed devdas in an era of communication exchange, techno savvy personifiacation.the 21st century devdas…tera emotional atyachar!oh oh devdas.devd is appreciable attempt to situation devdas near to in love-separated couples.devdas ka dukh communication k sahare!
DevD is not first instancing of your belief in perceiving things differently. You may have not tried to be your type only, however things are cornering there. it is not unfair to change perceptions but at times one may get overlooked.'paanch' for instance made after so much rigorous research and commitment can be said ended in bitter experience. Directorial venture which saw light of day; black Friday had had to face similar circumstances. The authority by which 1993 Mumbai blasts have been upheld, won the battle for debut…luckily .
The anurag kashyap we know is fighter, journey from u.p. town to bollywood tells it all. A break in 'satya' and rest is known and preferred name in film script writing. Post satya, shool, yuva, nayak, water and goal you r willing to switch direction only.
A cup full of ideas and your belief on their strengths is what makes abrand your type cinemagician.hope such ideas keep coming .a script writer basically, you have made a recognizable name in direction too. Black Friday, no smoking, hanuman returns and current DEVD is worth mentioning.
Mumbai shaped the way u r, as suketu Mehta has quoted, the maximum city. A favorite subject it is not sachin,slums and cinema only ,a city under threat.satya yuva and black Friday have had Mumbai.
Motivated on the lines of great satyajit ray's pather panchali, ended making paanch post the bicycle thief effect.
Most love the kashyap way of making films out of box; devD is not an exception. Post devD; devdas is not only an art house image.
Being media savvy it is projected that kashyap of anurag insist on on generating stories on paper headlines.sudhir mishra-hazaron kwahishen aisi fame says-he 's adventurous spirit and determination to do things differently make anurag stand out'.
The approach you adopt for a film is difficult to be categorized. Trend setting adventurous though is risky at times...DEV D is fresh though an extension to devdas continuity.
Yours dilnawaz
Abhay's devdas is not dilip Saab not even shahrukh.new devdas is not memory down lane merely,however motivated on lines of earlier devdas.you have placed devdas in an era of communication exchange, techno savvy personifiacation.the 21st century devdas…tera emotional atyachar!oh oh devdas.devd is appreciable attempt to situation devdas near to in love-separated couples.devdas ka dukh communication k sahare!
DevD is not first instancing of your belief in perceiving things differently. You may have not tried to be your type only, however things are cornering there. it is not unfair to change perceptions but at times one may get overlooked.'paanch' for instance made after so much rigorous research and commitment can be said ended in bitter experience. Directorial venture which saw light of day; black Friday had had to face similar circumstances. The authority by which 1993 Mumbai blasts have been upheld, won the battle for debut…luckily .
The anurag kashyap we know is fighter, journey from u.p. town to bollywood tells it all. A break in 'satya' and rest is known and preferred name in film script writing. Post satya, shool, yuva, nayak, water and goal you r willing to switch direction only.
A cup full of ideas and your belief on their strengths is what makes abrand your type cinemagician.hope such ideas keep coming .a script writer basically, you have made a recognizable name in direction too. Black Friday, no smoking, hanuman returns and current DEVD is worth mentioning.
Mumbai shaped the way u r, as suketu Mehta has quoted, the maximum city. A favorite subject it is not sachin,slums and cinema only ,a city under threat.satya yuva and black Friday have had Mumbai.
Motivated on the lines of great satyajit ray's pather panchali, ended making paanch post the bicycle thief effect.
Most love the kashyap way of making films out of box; devD is not an exception. Post devD; devdas is not only an art house image.
Being media savvy it is projected that kashyap of anurag insist on on generating stories on paper headlines.sudhir mishra-hazaron kwahishen aisi fame says-he 's adventurous spirit and determination to do things differently make anurag stand out'.
The approach you adopt for a film is difficult to be categorized. Trend setting adventurous though is risky at times...DEV D is fresh though an extension to devdas continuity.
Yours dilnawaz
Tuesday, February 3, 2009
partners in rhyme
Gunguna, gana why anyone would do that? But not anyone most of us somehow repeat the popular numbers. The music is in the air infact.the numbers are in running.fm channels, TV channels, home video, mp3/mp4, car stereo, mobile...Music is there. New releases, hit and popular regular and old numbers. Music binds, heals, cures, conditions, it upbrings.music not only entertains also has message, aesthetics.it has magical way of telling, saying human relations. It delivers where normal common sense fails.
For me there is astory, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In jannat's zra sa dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth listening the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. the one sided is to be each sided soon.
Rab ne bana di Jodi's haule haule ho jayega pyar ... is a welcome advice, counselling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab ne has ruled the charts and still a choice. The chartbuster hitting my running car stereo has some how adviced.Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
picturized on reel and real life duo,salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say''you care'' in a special way, little lite and cripsy.gulzar's lyric in beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The yuvvraj song is good approach to say a communicative concern in casual-lite way.
Bachna ae haseeno's hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each jannat's top number lambi judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya jogi aaya hire moti pyar k sang anokhe laya re film black&white beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening jogi post judai is experiencing Milan
tuning in to om shanti om's tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...bhool bhulaiya's hit number picturized with akshay kumar suggests to resume work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik yuvvraj's tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense. Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan ko chu zra...it is self actualization now.
Ghajini's kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
For me there is astory, script running in music. The songs somehow are generating story....
Ek kahani si hai gungunati fiza mein.
In jannat's zra sa dil me de jagah, a love story knocks the door.picturized on imran - sonal
The youth listening the hit number seems to be knocking the door of emotional world.zra SA dil me de jagah Tu... Zra SA apna bana, main chahun tujhko meri jaan bepanah....in the lines seems prepared to expect return.pyar k badle pyar...the initial return. the one sided is to be each sided soon.
Rab ne bana di Jodi's haule haule ho jayega pyar ... is a welcome advice, counselling for who loved and lost. The advice of patience.'shabr aur intezar' sukhvinder Singh's hit number from rab ne has ruled the charts and still a choice. The chartbuster hitting my running car stereo has some how adviced.Those aspiring pyar k badle pyar have also been counseled kindly. The song develops...Patience pays. The script has rested itself to patience. Accept the changes regularize duties. Time sweeps your way. Time is great motivation. Have faith in time. It delivers.haule haule conveyed what it was objected for.
picturized on reel and real life duo,salman-katrina's tu hi meri dost hai...has shifted a perception change in the developing script. Mixing dosti-pyar, the song managed to say''you care'' in a special way, little lite and cripsy.gulzar's lyric in beni dayal's soft voice kindles the 'dost and dosti addressing the emotional bond. The yuvvraj song is good approach to say a communicative concern in casual-lite way.
Bachna ae haseeno's hit number- ke ban Gaye ho tum mere khuda delivers the patronage of love, narrates the highs of mutual relationships. The song runs...Humko kya Lena hai sabse tumse hi sab baten ab se...Ke ban Gaye ho tum mere khuda.each one of buddies believe on each other. Their strenghts...Candidly declaring ki Jo ho tum hi ho.A beautiful duet sung by shreya and kk the song conveys a belief on each listener's side suggesting this is what love probably is. The sad part of story is that buddies have not space to meet regularly...Judai bhi to coin ka ek side hai.
picturized on imran hashmi and sonal each jannat's top number lambi judai speaks up for in love-separated .a telling narration of impossibility of frequent meetings the lines of song-tere bin dil mera lage kahin na...passion pure passion. Agar kabhi passion ka koi color hota, probably it is what. But the problem is burst of emotions is not always logical as cannot escape action. It is not good also but dil kab mana hai...distanced yet not separated hearts pray for togetherness.
Jogi aaya jogi aaya hire moti pyar k sang anokhe laya re film black&white beautiful song aesthetically portrays the returning moments. The patience the wait is approaching the fruitful meet...picturized on female lead of the film is quite popular. Listening jogi post judai is experiencing Milan
tuning in to om shanti om's tumko paya hai to jaise khoya hun proves a delightful response to black&white's chartbuster.
Allah hafiz Allah hafiz ...bhool bhulaiya's hit number picturized with akshay kumar suggests to resume work post fulfilled anticipation. Story cycle has assumed work.
Filmed on gulzar's lyric and sung by alka yagnik yuvvraj's tu muskura has turned out to be female protagonists' voice. The voice of caring and still little regrets, she is not upset about buddy's Allah Allah hafiz sense. Song further reads...tu jahan bhi hai muskura tu dhoop ki trah badan ko chu zra...it is self actualization now.
Ghajini's kaise mujhe tum mil gayee is happiness...thanking fate for a passionate loveable yet caring and understanding pyar...Partners in rhyme.
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